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SUMMARY:Architecture and Choreography
DTSTAMP:20260423T122236Z
DTSTART:20241001T000000Z
DTEND:20241001T013000Z
DESCRIPTION:Architecture + Choreography: Collaborations in Dance\, Space an
	d Time\nBeth Weinstein\nSeptember 30\, 5 p.m.\nSundt Gallery\n\nBeth Weins
	tein (Architect and Associate Professor\, School of Architecture) will\nsp
	eak about her recently published monograph\, Architecture and Choreography
	:\nCollaborations in Dance\, Space and Time (Routledge\, 2024\n[https://na
	m11.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.routledge.com%
	2FArchitecture-and-Choreography-Collaborations-in-Dance-Space-and-Time%2FW
	einstein%2Fp%2Fbook%2F9780367418540&data=05%7C02%7Cellenworth%40arizona.ed
	u%7Cafcead88b29c4c3ecbaf08dcd72b30fc%7C5ee35505eb8e4929937d645df5013288%7C
	1%7C0%7C638621827792752068%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJ
	QIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C0%7C%7C%7C&sdata=X7i6x77YjmF
	%2BQl4uElugQ0eIFXPSX8fG3PTH%2FfYD5ow%3D&reserved=0]).\n\nThe book examines
	 the field of archi-choreographic experiments—unique\ninterdisciplinary en
	counters and performed events generated through\ncollaborations between ar
	chitects and choreographers. Forty case studies\nspanning four decades giv
	e evidence of the range of motivations for embarking on\nthese creative en
	deavors and diverse conceptual underpinnings\, generative\nmethods\, objec
	ts of inquiry\, and outcomes. Architecture and Choreography builds\nhistor
	ies and theories through which to examine these works\, the contexts\nwith
	in\, and processes through which the works emerged\, and the critical\nque
	stions they raise about ways to work together\, sites and citations\, ethi
	cs\nand equity\, control and agency. Three themes frame pairs of chapters.
	 The first\naddresses disciplinarity through works that critically reflect
	 upon their\ndiscipline’s tools\, techniques\, and conventions juxtaposed 
	against projects that\ncite or use other art forms and cultural phenomena 
	as source material. The\nsecond interrogates space and the role of spatial
	 dispositifs\, institutions\, and\nsites\, and their hidden and not-so-hid
	den conditions\, as conceptual drivers and\nstructures to subvert\, troubl
	e\, unsettle\, remember. The third asks who and what\ndances\, finding a s
	pectrum from mobilized architectural bodies to more than\nhuman cybarcorps
	. Modes of collaboration and the temporalities and life cycles\nof project
	s inform bookending chapters. Architecture and Choreography offers\nvital 
	lessons not only for architects and choreographers but also for students\n
	and practitioners across design and performance fields.
URL:https://tucsontimeline.info/event/architecture-and-choreography
GEO:32.2357;-110.955
LOCATION:Sundt Gallery - University of Arizona Sundt Gallery
STATUS:CONFIRMED
CATEGORIES:art,books,dance
X-ALT-DESC;FMTTYPE=text/html:<p><strong>Architecture + Choreography: Collab
	orations in Dance, Space and Time</strong><br><strong>Beth Weinstein</stro
	ng><br><strong>September 30, 5 p.m.</strong><br><strong>Sundt Gallery</str
	ong></p><p>Beth Weinstein (Architect and Associate Professor, School of Ar
	chitecture) will speak about her recently published monograph,&nbsp;<em>Ar
	chitecture and Choreography: Collaborations in Dance, Space and Time </em>
	(<a target="_blank" href="https://nam11.safelinks.protection.outlook.com/?
	url=https%3A%2F%2Fwww.routledge.com%2FArchitecture-and-Choreography-Collab
	orations-in-Dance-Space-and-Time%2FWeinstein%2Fp%2Fbook%2F9780367418540&am
	p;data=05%7C02%7Cellenworth%40arizona.edu%7Cafcead88b29c4c3ecbaf08dcd72b30
	fc%7C5ee35505eb8e4929937d645df5013288%7C1%7C0%7C638621827792752068%7CUnkno
	wn%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXV
	CI6Mn0%3D%7C0%7C%7C%7C&amp;sdata=X7i6x77YjmF%2BQl4uElugQ0eIFXPSX8fG3PTH%2F
	fYD5ow%3D&amp;reserved=0">Routledge, 2024</a>).</p><p>The book examines th
	e field of&nbsp;<em>archi-choreographic experiments</em>—unique interdisci
	plinary encounters and performed events generated through collaborations b
	etween architects and choreographers. Forty case studies spanning four dec
	ades give evidence of the range of motivations for embarking on these crea
	tive endeavors and diverse conceptual underpinnings, generative methods, o
	bjects of inquiry, and outcomes.&nbsp;<em>Architecture and Choreography</e
	m>&nbsp;builds histories and theories through which to examine these works
	, the contexts within, and processes through which the works emerged, and 
	the critical questions they raise about ways to work together, sites and c
	itations, ethics and equity,&nbsp;control&nbsp;and agency. Three themes fr
	ame pairs of chapters. The first addresses disciplinarity through works th
	at critically reflect upon their discipline’s tools, techniques, and conve
	ntions juxtaposed against projects that cite or use other art forms and cu
	ltural phenomena as source material. The second interrogates space and the
	 role of spatial&nbsp;dispositifs, institutions, and sites, and their hidd
	en and not-so-hidden conditions, as conceptual&nbsp;drivers&nbsp;and struc
	tures to subvert, trouble, unsettle, remember. The third asks who and what
	 dances, finding a spectrum from mobilized architectural bodies to more th
	an human&nbsp;cybarcorps. Modes of collaboration and the temporalities and
	 life cycles of projects inform bookending chapters.&nbsp;<em>Architecture
	 and Choreography</em>&nbsp;offers vital lessons not only for architects a
	nd choreographers but also for students and practitioners across design an
	d performance fields.</p>
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